Contents. Chart performance The album debuted and peaked at number 20 on the Billboard chart dated 12 November 2005. One of the album's singles, 'Born to Fly,' was also modestly successful, reaching number 25 on the Dance Singles Sales chart.
I like to spend my evenings wrapped in the cool, soft beat of gentle company. And fine, clear, soft-voiced, lady 'acid jazz' singers that caress the songs they sing. Such a musician is Lisa Shaw and so is the treatment of this album Cherry. Her backing group, far from being part of what she has always done in the past, is both creative and well crafted to fit into every detail of her beautiful new style. Shaw is a very pleasing rarity indeed. She can sing passionately with the likes of Sarah MacLaughlin and perhaps even teach the immaculately casual Diana Krall a lesson or two about 'sultry'. Her higly endearing and detailed clarity, born of the crisp, stop/start, minimalist, musical instrumental style.
Contrasted with her very feminine energetic vibe has everything to do with a mature artist putting out a refreshing new style of cool that is as distinct as it is caringly articulate. This is one of the more entertaining and interestingly varied albums that I have heard in a long time, but then again.acid jazz is not for every one, just those moving on from the same old world of classy but repetitive jazz singers.into an all-too-slowly evolving new age. Put it on and listen intently to the detail, or play it behind a lazy evening dinner party conversation above the city at home.it fits both well.so well that everyone wants to know who it is.so they can listen! Lisa Shaw has lent her voice to some great tracks in the past, most notably her collaborations with Jay Denes’ Blue Six project.
Lisa Shaw
Here, on her solo album CHERRY, she takes the main stage with production assistance from Mr. Denes himself and Eric Stamile.
But it shares the same problems with other solo vocalist album on Naked Music: an over-emphasis on the downtempo soul, not enough on the musical aspects. Sure, the title track has a bit of the funk to keep it going, but other tracks aren’t as distinguished. Somehow, it’s trying too hard to be sultry, and despite Shaw’s beautiful vocals, it isn’t succeeding. “Grown Apart” is slightly more upbeat, and it shows by being catchier, as do the moodier sounds of “Matter of Time” and “Always.” The Jimpster mix of “Let It Ride” has all the sexiness that the rest of the album lacks—perhaps house is the best genre to show off Shaw’s ample talents.
Contents. Early life Born in Canada to Jamaican parents, Lisa Shaw was raised in, the youngest of six kids. Growing up, Lisa was influenced by artists such as, and. Tagging along to clubs with her older sisters exposed her to disco/funk acts, and.
Her cousin Oliver Ferguson introduced her to New York City in 1989, and she began making connections there. Shaw married David Winsett (DJ Swingsett) in 1995, and she moved to New York City then to live with him. The couple is now divorced. Career Lisa Shaw's music career expanded when she arrived in from. Shaw is part of the underground /deep communities. She debuted in 1995 with a single titled, 'Makin' Love Makin' Music', written.
It became a hit in the underground. She has collaborated on deep house projects, most notably with producer/songwriter,. Shaw released her debut solo album, on October 25, 2005 on the label.
Shaw appears as a featured singer on 's 2007 album, Those Things. Used a remix of her single, 'Grown Apart,' on the first season of in 2008.
Her second album, entitled ' Free,' was released on March 10, 2009. Shaw released her second album, ', in 2009 on. The album was produced by Dave Warrin, Ethan White of Tortured Soul and. She performed the album at release on KCRW's, with producer and DJ Joshua Heath. Discography Albums.
2005: #20 Cherry No. Title Length 1. 'Cherry' 3:35 2. 'Don't Know What to Do' 3:13 3. List of gizmodo games online. 'When I' 4:51 4. 'Grown Apart' 3:36 5. 'Push-Button' 3:16 6.
'Hot Skin' 4:04 7. 'Matter of Time' 4:32 8. 'Dim Light' 1:55 9. 'Always' 4:02 10. 'Born to Fly' 3:59 11.
'Stylin' 3:24 12. 'It's Been Awhile' 4:59 13. 'The Last Time' 4:22 14. 'Let It Ride (Jimpster Remix)' 4:26. 2009 Free No. Title Length 1.
'Better Days' 3:49 2. 'Honey' 4:52 3. 'Find the Way' 5:34 4. 'Like I Want To' 5:23 5.
'Free' 5:25 6. 'Music in You' 4:43 7.
'All Night High' 5:58 8. 'Feel' 4:25 9. 'Can You See Him' 5:10 10.
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'I'm Okay' 4:58 11. 'Tomorrow' 4:46 12. 'Inside My Love' 3:34 13.
'Sky High' 3:49 Singles. 'Makin' Love Makin' Music'. 'Always'. 'Let It Ride (Jimpster Remix)'.
'Cherry'. 'Born To Fly'.
'Side To Side' (feat. Miguel Migs). 'Find The Way' (Jask Soul Seduction Vocal). 'Always' (Lovetronic Vocal) References.
I like to spend my evenings wrapped in the cool, soft beat of gentle company. And fine, clear, soft-voiced, lady 'acid jazz' singers that caress the songs they sing. Such a musician is Lisa Shaw and so is the treatment of this album Cherry. Her backing group, far from being part of what she has always done in the past, is both creative and well crafted to fit into every detail of her beautiful new style.
Shaw is a very pleasing rarity indeed. She can sing passionately with the likes of Sarah MacLaughlin and perhaps even teach the immaculately casual Diana Krall a lesson or two about 'sultry'. Her higly endearing and detailed clarity, born of the crisp, stop/start, minimalist, musical instrumental style. Contrasted with her very feminine energetic vibe has everything to do with a mature artist putting out a refreshing new style of cool that is as distinct as it is caringly articulate. This is one of the more entertaining and interestingly varied albums that I have heard in a long time, but then again.acid jazz is not for every one, just those moving on from the same old world of classy but repetitive jazz singers.into an all-too-slowly evolving new age. Put it on and listen intently to the detail, or play it behind a lazy evening dinner party conversation above the city at home.it fits both well.so well that everyone wants to know who it is.so they can listen! Lisa Shaw has lent her voice to some great tracks in the past, most notably her collaborations with Jay Denes’ Blue Six project.
Here, on her solo album CHERRY, she takes the main stage with production assistance from Mr. Denes himself and Eric Stamile. But it shares the same problems with other solo vocalist album on Naked Music: an over-emphasis on the downtempo soul, not enough on the musical aspects. Sure, the title track has a bit of the funk to keep it going, but other tracks aren’t as distinguished.
Somehow, it’s trying too hard to be sultry, and despite Shaw’s beautiful vocals, it isn’t succeeding. “Grown Apart” is slightly more upbeat, and it shows by being catchier, as do the moodier sounds of “Matter of Time” and “Always.” The Jimpster mix of “Let It Ride” has all the sexiness that the rest of the album lacks—perhaps house is the best genre to show off Shaw’s ample talents.
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